© Cover us in glory

Originally posted by @saintbletch

That was really nice, Lou - despite a couple of guitar glitches.

Glitches? Despite a couple of guitar glitches?!

David Rawling pouring his heart and soul into his guitar solo, playing with verve and emotion, in a live gig set up, and you hear glitches?

Sir, I am disappointed. I can only assume you have been spoilt by the Pro Tools perfection era. It’s the lack of perfection that makes it more perfect.

My favourite of many covers of Van Morrison’s ‘Into The Mystic’.

Feel free to point out glitches Bletch.

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That’s what makes it live Lou.

As you say, it’s that upturned nose that shouldn’t be beautiful, but somehow is.

It’s that charming flush of the cheeks against unwanted red hair.

It’s that beauty spot that draws unwanted attention to the owner, but ensures that their personality is given chance to be ‘heard’.

As I said, it was really nice.

Lovely.

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Some excellent suggestions on this thread. I like this one meself. Not often someone can cover the excellent Stevie Wonder, but this is top drawer - IMHO of course.

Not a produced cover as such, but this is worth a watch. Bonamassa and Randolph are in good form trying to cover the peerless Freddie.

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Originally posted by @saintbletch

As someone who finds perfect music in a single human with a message and a wooden, acoustic guitar, I lament the addition of instruments, musicians and electricity.

I therefore find myself at the opposite end of the musical spectrum from Metal (Heavy or otherwise). If you’re a fan of that type of music, you are wrong. Harsh, but true.

However, I’ve got the perfect cover album to bridge the musical gap between us. It’s called What’s Next to the Moon? by Mark Kozelek. Kozelek was the lead singer of the grammatically ambiguous Red House Painters - who I also have a soft spot for.

The album is a series of reimaginings (sorry) of early AC-DC songs with a folky feel. I love it. I’m afraid I don’t even know the originals, so I’d love to know how any AC-DC fans feel about them. Horrified I would imagine.

Thing is Bletch, you say if you’re a fan of Metal etc. then you’re wrong, yet you like the ‘reimaginined’ versions. You can’t have one without the other really.

Although I am, and pretty much always have been, a rock/metal fan, that doesn’t preclude me from enjoying all sorts of other music from Ska/Reggae to Jazz, punk, classical, Dance or whatever.

Metallica toured some years ago with the San Francisco Symphony orchestra performing their songs in a metal/classical mash-up that was an absolute masterstroke. I know Deep Purple/Rainbow’s Richie Blackmore has also done this in the past. I personally, don’t think there are many other genres that would work in that sense. That doesn’t mean that genre is any better or worse than any other, but it does prove that one is not “wrong” to be a fan of it.

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Marvin Gayes cover of “I Heard it Through the Grapevine” pretty much rocked

I love the Kinks original and Van Halen’s in equal measure, even though I’m not at all keen on Van Halen in general. I think the new version is true to the original, but the extra licks really pump it up.

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This is better than the original from Wacko imo

https://www.youtube.com/watch?feature=player_detailpage&v=CDl9ZMfj6aE

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Prefer this version

https://www.youtube.com/watch?feature=player_detailpage&v=fregObNcHC8

Originally posted by @Halo-Stickman

Being a teenager through large parts of the seventies I was a fan of David Bowie; therefore, I’m slightly embarrassed to say that I much prefer Lulu’s version of The Man Who Sold The World, mainly because of the saxophone.

https://www.youtube.com/watch?v=TyFAnA9oPRE

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Yes, that is a nice cover, Mangobean.

But no sax. :slight_frown:

Orange Juice do Al Green. What’s not to like?

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Along the lines of what Bletch was on about. One of my favourite covers, it really takes a cracking song, gives it a new feel and makes it feel almost unrecognisable from the original.

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Few more for funsies:

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Recorded only six months after Dylan released the original #totaleclipse

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