[If you start a new The Greatest Exponent Of (TGEO) thread, copy the Rules section so that everyone knows what is expected of them. You might want to change Bletch for your name.
OK, so TGEO... threads should allow us to get through the close season (Euros apart) and retain our sanity. The idea is that you have to
1. chose one, and only one response to the question/statement in the thread title.
2. provide evidence
3. explain why you selected this person or thing.
If you are going to comment on someone else's choice to defend yours, you must have watched/read/listened to (some of) the evidence. This will be highly subjective, and unless you agree with Bletch, then you'll likely be wrong. Post your TGEO threads in the Best ever category.
There is to be no namby-pamby "second or third choices" and just as unwelcome is the underhand "I was going to be pick x or y, but chose z because..." tactic. There should be one thing to rule them all.
Post your TGEO threads in the Best ever category.
The greatest exponent of the bass guitar is obviously Mick Karn who was best known for his work with late 70s and early 80s new romantic band Japan.
How cool was that fucker here...
That wobbly whar whar budum whar sound is almost animal.
This from his solo album Titles
Shocking song, but the bass is wonderfully unique
I've heard other people play the bass that probably were more talented, but I've never experienced the way that Karn's bass was so intrinsic to the sound of Japan, Rain Tree Crow, Dali's Car, etc. The bass was brought forward to be melody and because he played fretless with effects, the sound it made was wonderful.
Go on, tell me I'm wrong...